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It took “Star Wars” for people to take that genre seriously. MG: Why do you think so few people, critics especially, respect horror movies?ĮR: Because the filmmakers themselves don’t take them seriously. I thought it would really confuse people. So I sent him the song “Gay Bar,” and had him recreate it exactly for the DVD. I wanted to put it on the DVD, but we couldn’t get the music rights. He dances around to Gloria Estefan Miami Sound Machine music in them.
What’s the deal with that kid?ĮR: Matthew Helms keeps sending me videotapes.
On the DVD there’s a special feature of him doing some crazy martial arts.
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MG: One of my favorite characters in the movie is Dennis, the kid who bites people and wants pancakes. Then I read about the real flesh eating disease, and knew it was the perfect way to tie it all together. No matter how healthy you are something can come in and take you over and use you as a host and if you don’t get it right away you’re fucked. I had to drink this awful medicine and kept imagining these things eating me from the inside. And I got this horrible parasite when I was 17 that took a year to get rid of. I got this weird infection in my hip when I was 12 and I couldn’t walk, so those feelings of loneliness and terror of dying play into it. It’s kind of like a culmination of all the horrible things that happened to me.
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Could you elaborate on how much of the film is based on personal experience?ĮR: The film’s based on the skin disease I contracted in Iceland, but also based on other things that happened to me in my life. MG: So you’ve said that the genesis of the film goes back to a skin virus you contracted in Iceland. I also love Peter Jackson’s films, as well as Tarantino’s movies, but recently I’ve been obsessing over Japanese horror films like “The Grudge” and “Ichi the Killer.”
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Those films are kind of my textbook for how to make a great horror movie. What films would you say are the ones that you as a horror fan always return to?ĮR: The films I watch over and over are “Evil Dead”, “The Shining”, “Texas Chainsaw Massacre”, and John Carpenter’s “The Thing”. MG: This film is in the tradition of Evil Dead. It’s sad that “Cabin Fever” is one of the most disgusting horror films in a long time, because I truly wish all films were that sick and weird. What happened to films like “Evil Dead 2?” Was there ever going to be another “Dead Alive” or “Texas Chainsaw Massacre?” I had been planning my life from age 13 to make splatter movies. The studios for a while were just churning out these horrendous pieces of crap, and even the R rated films had no sex and barely any violence. I have been so disappointed by horror films for so long, with the exception of a few great ones here and there, I just had this feeling that nothing bloody or sick was ever gonna get made again. Was this the movie you’d been waiting to make your whole life? I know you got sawed in half at your Bar Mitzvah…ĮLI ROTH: Pretty much, yeah. It seems to be funnier and grosser than any horror movie in a long time. MAX GOLDBLATT: So you make this really intense, really funny indie horror movie. Please accept this interview in lieu of his person. Eli wishes he could have made it out to Wesleyan this weekend, but he has too much on his plate. If Roth had had his way, the film’s tagline would have been, “If you can’t get laid after seeing this movie, you’re pathetic.” Peter Jackson and Quentin Tarantino both love “Cabin Fever,” and you will too.
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“Cabin Fever” is sick, funny, and is playing in the Film Series this weekend. It had a measly budget of $1.5 million and became the highest grossing film released by Lion’s Gate last year, and was also the highest grossing horror film of the year. Roth’s first feature film, “Cabin Fever,” blows my mind. As Mason read his Torah portion, I kept glancing back and thinking that there was a sick and brilliant mind in the house of God. synagogue, at my cousin Mason’s Bar Mitzvah.
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